Monday, January 7, 2013

Master Poet to P.I.F. by Bob Atkinson

Master Poet to P.I.F.
(c)2013 Bob Atkinson

wandered through a maze
as I do both now and then
following trails of discovery
about those words she'd penned

saw the accolades bestowed
upon her works so fine
wondered how these words began
desired to read her finest lines

took some time, writings obscure
published in some costly books
Amazon had them there behind
closed covers locked with currency

searched more, found the ribbons
had been given her in mass
she must have written a masterpiece
this learned sweet young lass

oh, it took a long time
to find one of her themes
shock attacked my brainy part
when found it I did scream

this isn't all I hoped for
words do not inspire me
for there on the laptop screen
I nearly lost my tea

choked and gagged,
spit and saddened
nearly lost my lunch
there before me stood some tripe
words thrown into a bunch

so to her credit I began
to formulate my bestest plan
to rid the world of these bad parts
at least do something for that stand

a "Poet" isn't created and designated
when words mixed without form or purpose
unrehearsed, cheesy, lacking fine refrain
won't rise greatness to the surface

those who take this mantle lightly
and work the system for their own
benefit at the expense of mankind
if starving, would not throw a bone

Master Poet she is not
hardly a P.I.F. in a large pot
no standing "O's" would she receive
when yelling out her dreams of written rot

Poets In Fact, or P.I.F.'s if you will
give more than take within this realm
they do not make the masses smirk
when the word poetry gets mentioned

they do, on the other hand
bring many on their feet to stand
and re-enforce that feeling of
enlightened senses and honest passions

they give for free with willingness
to share their inner dreams
complimentary display of thoughtful words
ordered to make us better people

Friday, January 4, 2013

Upon Westminster Bridge by William Wordsworth

Upon Westminster Bridge
by William Wordsworth
EARTH has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth like a garment wear

The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.

Never did sun more beautifully steep
In his first splendour valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:

Dear God! the very houses seem asleep;
And all that mighty heart is lying still!

for those of us who have been delighted
by a large city prior to its wakening,
this poem holds emotions
near the heart
many mornings have I spent
in Los Angeles
under such conditions
walking the river
seeing traffic light
watching the streetlights flicker out
when sunlight told them go dark

Wordsworth's style of lyric poetry
set the stage for all the wonderful
lyrics we've been blessed with
from the mid 20th Century onward

it has purpose
it has style
is readable without a dictionary
thereby, emotional flows are not
interrupted
as in so much pseudo poetry of today

Bob Atkinson
January, 2013

La Revenant by Charles Baudelaire

La Revenant

Comme les anges a l'ceil fauve
je reviendrai dans ton alcove
et vers toi glisserai sans bruit
avec les ombres de la nuit

Et je te donnerai, ma brune,
Des baisers froids comme la lune
Et des caresses de serpent
Autour d'une fosse rampant.

Quand viendra le matin livide,
Tu trouveras ma place vide,
Ou jusqu'au soir il fera froid.

Comme d'autres par la tendresse,
Sur ta vie et sur ta jeunesse,
Moi, je veux regner par l'effroi.

-->
The Return at Last
translated by Bob Atkinson

as angels look at you lovingly
will join you in your space
take your virtue quietly myself
hidden by the night's embrace

love you coldly, madly
as the darkness loves the moon
like a snake hugs shadows in a pit
crawling through your nightly gloom

waking spent in the morning
you'll look for what hasn't remained
waiting until night for my return
to love you hard again

but no, I won't come from
dark midnight rain's wet dampness
you'll search for what isn't there
feeling tears of pain, aloneness

like your lovers of before
you'll expect affections repeated
to become part of your life
but you won't quickly see them

wish to make you scared
that I won't ever return again
handling your mind as if
I controlled your every whim

in reading this you may get a better understanding of why Charles Baudelaire is one of the most famous French Poets of all time.  His works were full of slightly hidden self portraits.

Read more of and about Charles Baudelaire:

http://baudelaire-by-bob-atkinson.blogspot.com/


Les Phares by Charles Baudelaire, translated by Bob Atkinson

LES PHARES
Rubens, fleuve d'oubli, jardin de la paresse,
Oreiller de chair fraîche où l'on ne peut aimer,
Mais où la vie afflue et s'agite sans cesse,
Comme l'air dans le ciel et la mer dans la mer;
Léonard de Vinci, miroir profond et sombre,
Où des anges charmants, avec un doux souris
Tout chargé de mystère, apparaissent à l'ombre
Des glaciers et des pins qui ferment leur pays;
Rembrandt, triste hôpital tout rempli de murmures,
Et d'un grand crucifix décoré seulement,
Où la prière en pleurs s'exhale des ordures,
Et d'un rayon d'hiver traversé brusquement;
Michel-Ange, lieu vague où l'on voit des Hercules
Se mêler à des Christ, et se lever tout droits
Des fantômes puissants, qui dans les crépuscules
Déchirent leur suaire en étirant leurs doigts;
Colères de boxeur, impudences de faune,
Toi qui sus ramasser la beauté des goujats,
Grand cœur gonflé d'orgueil, homme débile et jaune,
Puget, mélancolique empereur des forçats;
Watteau, ce carnaval où bien des cœurs illustres,
Comme des papillons, errent en flamboyant,
Décors frais et légers éclairés par des lustres
Qui versent la folie à ce bal tournoyant;
Goya, cauchemar plein de choses inconnues,
De fœtus qu'on fait cuire au milieu des sabbats,
De vieilles au miroir et d'enfants toutes nues,
Pour tenter les Démons ajustant bien leurs bas;
Delacroix, lac de sang hanté des mauvais anges,
Ombragé par un bois de sapin toujours vert,
Où, sous un ciel chagrin, des fanfares étranges
Passent, comme un soupir étouffé de Weber;
Ces malédictions, ces blasphèmes, ces plaintes,
Ces extases, ces cris, ces pleurs, ces Te Deum,
Sont un écho redit par mille labyrinthes;
C'est pour les cœurs mortels un divin opium.
C'est un cri répété par mille sentinelles,
Un ordre renvoyé par mille porte-voix;
C'est un phare allumé sur mille citadelles,
Un appel de chasseurs perdus dans les grands bois!
Car c'est vraiment, Seigneur, le meilleur témoignage
Que nous puissions donner de notre dignité
Que cet ardent sanglot qui roule d'âge en âge
Et vient mourir au bord de votre éternité!

Guidance
 
http://en.wikipedia.org/wiki/Peter_Paul_Rubens

http://www.leonardoda-vinci.org/

http://www.newworldencyclopedia.org/entry/Rembrandt

http://en.wikipedia.org/wiki/Michelangelo

http://www.visual-arts-cork.com/sculpture/pierre-puget.htm

http://smarthistory.khanacademy.org/romanticism-in-spain.html

http://en.wikipedia.org/wiki/Antoine_Watteau

http://www.eugenedelacroix.org/

Poet, Poet, Poet, the Poem of Poetry by Bob Atkinson

Poet, Poet, Poet,
the Poem of Poetry
 Horace

(c)2012 Bob Atkinson


purpose, purpose, purpose
seems mostly obvious today
doesn't matter why you write
just that you have your say

history, yes, that's real adventure
reason enough to write down words
provides documentation of feelings
about prior events that had occurred

describing art begins another
aspiration for locutions penned
stories told of paintings brushed
or photos framed with grins

descriptions of your favorite movies
by a poetic dance of sounds
chronicled with good knowledge of
plots and character actions grounded

sports,
well, that's a subject we love
can write stories about the games
how our pitcher in a situation
won, or lost out on lasting fame

trials of those who seem
not too bright in their approach
or the wonderful friends who leave
hearts deep within one's throat

here we have opportunity supreme
expanding nature's gift of language
telling our stories to those hereafter
so they'll know why we acted

those effects of mother nature's power
earthquakes, hurricanes and tornadoes
floods by rain, volcano's shaking
stars twinkling, streaking, impacting

that wild and woolly surprise of life
which seems so strange to us now
gives fodder for our hearts to tell
how we didn't see it coming down

initiation of accomplishments
both in honor and disgraced form
telling tales of how we can prepare
avoiding broad future pain or scorn

you can add your own to these
reasons to write down life's chronology
giving records enhanced descriptions
telling stories to those following

we leave something of our lives
descriptions of emotional moods
objects of our sorrows meant
to explain devoted servitude


fully depicting quirky behavior
acceptance by our peers of fate
going a long way to the moon
or stopping at those open gates

observing new dimensions deeply
through hard work and honest thought
sharing emotions with our peers
could be what we're all about

American Poet by Bob Atkinson

American Poet
(c)2012 Bob Atkinson

tell the tales of no regret
tell them with your heart
tell them truly all you feel
before you this world depart

tell the truth in all you write
try to find how emotions
hold a mirror to their souls
for change of inner devotion

describe the tightened chains
which bind us closely to our brothers
then breaks us free of all constraint
in the name of progress cautious

wander over time and thoughts
years gone by with those who had
fought the battles of their times
which made them alive or dead

marvel at ones who held
your imagination in its place
and gave you feelings of pride
or sometimes such gentle shame

put all these thoughts in words
so another might possess
strength and purpose for all time
combined with quiet gentleness

2012 to 2013 The Transition

2012 to 2013
The Transition
(c)2012 Bob Atkinson

transfer us from the past
to the future as we ask
what lies toward that new direction?
something more, or just convention?

all we share of our experience
wobbles forth, does flips and fits
sparks us here and hurts our heads
makes us lie again in beds

should we worry of this fate?
or
should we expect these alternate
uses for our timely game
grow up be gone from our own days

we see the young ones standing tall
have children as we did ourselves
become the mainstream, where we grow old
find for themselves what we have known

that in time the only purpose
we can find
would stand as something
to leave behind

which binds our friends
to those strangers
ones with dreams
of living greatness

how to do this simple deed?
how to enhance our breed?
some say leaving thoughts for others
does the duty of which we're troubled

write your notes, write your emotions
give to language your pure devotion
let those of future embattled times
know they're not alone, but joined

with the past in firm resolve
to fight beyond those wicked halls
through those hardened tasks we find
we join with all living in future times

Wednesday, January 2, 2013

Bob Dylan, Poet, Master, PIF

Bob Dylan, Poet, Master

(c)2012 Bob Atkinson

Dylan grabbed my heart back then
on 4th street slowly he walked again
turned left and right and winked at Joan
she seemed somewhat a friend to folks

dragged his harmonica along with him
on the side of a walked mall with friends
carried over his refrains of powered words
mind's music flowed so undisturbed

sweet, sweet times he did recall
with tender loving care for all
rolled stones over until worn smooth
words hung in the air, didn't fall so soon

my cultural attitude developed slowly
owe much to his word selection wholly
grabbed his useful phrases for my own
imagining my inner strengths not frozen

while never looking back at him
took his lead and moved within
that proven useful shell of which
saw someone doing all of it

all those things we do in life
school, work and family strife
friends and social contacts
flights of fantasy real and not

we just passed close in the night
he saw me not at all, not lighted
yet, I felt his image press firm upon
my mind against that wall each dawn

to him the art of poetry floated potent
a newly charged degree quite free
a firmness Poe wouldn't like to see
soothed my pride alright, did he

no smirks contained within his lair
no tune-smiths hiding their newer flair
no shame for what my words would say
as long as were soft and sincerely made

Master Poet Mark Knopfler, PIF

Master Poet Mark Knopfler
http://en.wikipedia.org/wiki/Mark_Knopfler

(c)2012 Bob Atkinson

seems here a decision needs made
should I go with the flow
or send out large waves
stand for change, or bury my thoughts
let them alone, or shake up the process

toward the shores of calm lakes of the past
tranquil mediocrity crowds out progress
keeps the emotional elements suppressed
rips out the works of the best

this lets the world stand still
and a genre fester, sadly killed
keeping the Poet as not a large man
one with soul lacking, not with talent

or, should I without remorse
no regard to safety of my name in due course
shout it out loudly even if vainly
not my style to be quiet I'll hammer it plainly

in my mind
current establishment can't hold its own
gives accolades to drivel 
to their own they throw bones

if this shakes some conventional airs
my thoughts wildly passioned carried by stares
as I look at what we have produced
our libraries and bookstores lie dusty unused

if it costs me so dearly in getting support
then so be it, at least have not lost my goals
to swim in a school of sardines so aligned
a shark only smiles as his teeth cut spines

here's the dilemma
please help me decide
which course leads toward harmony
away from the divide

which way to proceed
which route to take
whose feelings do I hurt
when I stand up and state

an establishment that feeds on egos ferment
an old way of looking at those older precepts
cannot, will not, move toward the future
without redirection in assumptions of usage

poetry, hereafter, garners much fame
when acknowledge as useful within all our brains
prior to now, we see those who use
words with some useless, careless attitude

they call themselves poets
even have credentials of note
from org's and associations of folks
who seem important and fixed
with attitudes of the stately mix

although their impact to life is just nil
would not in all earnest from them get a thrill
can't lift wings of a gnat their words have no power
don't garner approval from a younger crowd

from the masses of people of different classes
both young and old, the lads and the lasses
some very timid some loud some bold
some learned some savvy some overly stoned


they call themselves talent
but talent eludes all of their works
which they publish though useless

walls of halls in apartments of brick
are lined with vanity's sickly garbage tricks
that which they see as oh so unique
makes some like me think they are dopey not slick

they give out as presents
to all relatives and friends
their "great works" toiled
many night times in bed

their friends buy their books
only when cornered
relatives smirk smugly
when not rightly sober

their wives smile sweetly
when reading diatribes
not wanting to work
on soothing hurt pride

so.....here in this verse
I do now declare
a quiet war of words
about those who don't care

that poetry in form
has many central themes
can come in all forms
from whispers to screams

from spoken to sung for anyone
as long as it's words shouted or written
and brings out emotional feelings
it is poetry which has useful meaning


if it doesn't bring out emotional bursts
laughter, singing or some such loud spurt
elation or sadness or wicked gladness
with
some form of confusion or sad illusions

then poetry it isn't and a poet he's not
and his cheap self image hasn't bought
him the title which he gave himself
that Willy Wonka toy on his belt

he or she must
in order to be Master of Poetry
write with the Master Poet's hand
must have purpose and grand emotion
to the word of mankind have pure devotion

I leave you example
a good refrain
by Mark Knopfler
a Master Poet of fame

if your words don't match his in depth
then you're not a poet and thus you should quit
leaving the verse to those who can write
who understand the meaning of words not so trite

"........You get a shiver in the dark
It's raining in the park but meantime
South of the river you stop and you hold everything
A band is blowing Dixie double four time
You feel alright when you hear that music ring


well now You step inside but you don't see too many faces
coming in out of the rain to hear the jazz go down
competition in other places
but the horns are blowin' that sound
Way on down south way on down south London town...."
(Sultans of Swing, by Mark Knopfler)